Whose Justice?

Sabaa Tahir

Neither all brains nor all brawn is enough to conquer the society depicted in An Ember in the Ashes by Sabaa Tahir. It's the classic story told throughout human history. But Tahir takes a fresh look through the eyes of two teens--one a Scholar, the other a Martial--at the center of the conflict.

The Scholars may be the group that's oppressed now, but they were the oppressors until 500 years ago, when the Martials took control by force. Laia, a Scholar, must live with the fact that her parents chose the Resistance over their children. The only family member she has left is her brother, held prisoner by the Martials. In her quest to enlist the Resistance members' help to free her brother, she learns that someone within the movement betrayed her parents. She also learns how the Scholars played a role in their own demise.

As her life becomes entangled with that of Elias, an elite member of the Martials called a Mask and a favorite to become the next Emperor, Laia must decide for herself who is on the side of justice--so must Elias. Sahir portrays a fictional society with realistic conflicts. Must justice for one group come about at the expense of another? What do you, as an individual, do to stay true to your ideals when others around you are corrupting them for selfish ends? How do you know when you yourself have crossed a line? If you gain power and prestige, is it because of your leadership qualities, or through force and fear? How can you be sure?

History is littered with examples of those who used an ideology or force (often both) to achieve goals they felt were good, but whose means resulted in imprisonment and death for many. Tahir demonstrates that it's harder to recognize an ideal gone wrong when it's unfolding in the present. Laia and Elias observe the corruption going on around them, but can they stop it, or at least stand up to it? And the implicit question to readers is: What would you do?

The Burden of Power

Kristin Cashore

If Graceling was about owning one’s own power, and Fire was about deciding when the use of power is appropriate and when it is not, then Bitterblue is about exploring what it’s like to have power over the fates of others. In this election year, Kristin Cashore (author of all three books in the Graceling series) raises searching questions about leadership—how much autonomy to grant others and when to determine certain decisions on their behalf.

In the case of 18-year-old Queen Bitterblue, her father, King Leck, twisted the truth. He wiped out the memories and experiences of his citizenry after inflicting unspeakable crimes against them as individuals and as a citizenry. Bitterblue feels compelled to confront those truths herself but then must decide how much of that information to release and to whom. Would it be healing or do greater damage to make public some of these facts? And how can she remedy the hurt her father caused to so many of his subjects? It’s a daunting task, and she has few people she can trust, surrounded as she is by her father’s men, who must come to terms with their own guilt, sorrow and grief.

Her only reliable means of gathering the truth is to disguise herself as a male and take to the streets. But that comes with its own perils. As the daughter of a king that wronged a nation, she has few friends and many enemies, but she feels it’s worth the risk to get to the truth. One of the great injustices she discovers is that her father made it a crime to teach others to read. As someone who thrives on education and loves to learn, Bitterblue finds this one of the greatest travesties of her father’s reign.  As she strives to bring about justice, Bitterblue also finds laughter and love, enjoys the friendships of Katsa and Po (from Graceling), and discovers friendly neighbors and possible allies.

Kristin Cashore once again explores the questions at the center of the human experience: the pursuit of truth and justice, and the need for a society that allows people to thrive as individuals.