Thursday, October 23, 2014

Chillers & Thrillers

 As Halloween draws near, we have some favorite chillers and thrillers, from board books to YA novels to audiobooks. The Hallo-Wiener by Dav Pilkey, debuting in a board book edition, stars a Dachshund named Oscar, teased by his canine peers for his shape, size and bun costume--until he proves to be the perfect foil to a menacing "monster."

Two beginning readers emphasize the treats of friendship: Dog and Bear: Tricks and Treats by Laura Vaccaro Seeger and Katy Duck's Happy Halloween by Alyssa Satin Capucilli, illustrated by Henry Cole. Don't forget Adam Gidwitz's original spin on the Brothers Grimm, starting with A Tale Dark and Grimm, and closing with The Grimm Conclusion. Another book to keep readers up nights (in the best way) is Guys Read: Thriller, edited by Jon Scieszka. Candace Fleming uses a real cemetery as a backdrop for her collection of spinetingling tales On the Day I Died; the audiobook would make a sensational soundtrack for a haunted houseparty.

The YA short stories in Monstrous Affections, edited by Kelly Link and Gavin J. Grant, include as many psychological thrillers as situational chillers. Two teenage friends drink down a petrified bat with unnerving results in Glory O'Brien's History of the Future by A.S. King. Hitting close to home in the wake of the Ebola virus, Love Is the Drug by Alaya Dawn Johnson combines spies, intrigue and a deadly pandemic. 

Readers can now enjoy Neil Gaiman's Newbery Award–winning The Graveyard Book three ways: the original novel, the audiobook (read by the author) and the new two-volume graphic novel set (adapted by P. Craig Russell). Check out Kevin Nowlan's rendering of the bloody knife that opens Volume 1, and Scott Hampton's climactic scene in the Frobisher Mausoleum in Volume 2.

This round-up first appeared in Shelf Awareness for Readers.

Friday, October 17, 2014

The Treats of Friendship

Laura Vaccaro Seeger

A deep and abiding friendship between two very different personalities forms the core of Dog and Bear: Tricks and Treats (and all the Dog and Bear books) by Laura Vaccaro Seeger. Their latest adventure plays up those contrasts using some time-honored Halloween traditions.

Dog takes risks; Bear is more prudent. Dog inspires Bear to try new things; Bear encourages Dog to slow down, think things through. Seeger's stories grow out of the friends' personalities and how they resolve their dilemmas. And they do solve their problems themselves, without any help from grown-ups. So how do they react to Halloween rituals? What if Dog were to misunderstand how trick-or-treating works? Instead of giving out candy, he confiscates it (not meaning any harm, of course). Children are in on the joke, and Dog doesn't recognize his faux pas. Costume hunting and prank playing (much more benign than egging or TP-ing, of course) make up the themes of the other two stories.

With just a sentence per page, these adventures feel complete and make the ideal books for beginning readers as well as picture book lovers. We can't wait to see what Dog and Bear will do next.

Friday, October 10, 2014


Dav Pilkey with his Hallo-Wiener
Photo credit: Karyn Carpenter

Oscar, the Dachshund hero of The Hallo-Wiener by Dav Pilkey, is a mascot for kindness, and how it reaps its own rewards.

The other dogs are not very kind to Oscar (calling him "Wiener Dog" and laughing at him), but that does not keep him from wearing the bun costume that his mother gives him for Halloween (even though that only ramps up the name-calling and laughter). Oscar wears the costume to be kind; he doesn't want to hurt his mother's feelings.

And despite how the other dogs treat Oscar, he comes to their rescue when they're in trouble. At this age, when toddlers and preschoolers are just beginning to leave the unconditional love and protection of their parents and caregivers to enter daycare and preschool, Oscar sends a strong example of being kind no matter what.

Although the other dogs are rude to Oscar, he does not have to return their rudeness. He chooses to be kind, and to come to their aid when a scary "monster" (two cats in disguise) chases them. His act of kindness opens the other dogs' eyes to look beyond Oscar's appearance and recognize an act of true friendship. For toddlers, pair this with Baby Be Kind.

Friday, October 3, 2014

Testing Boundaries

Una LaMarche

In Like No Other, Una LaMarche lets readers inside the traditionally private Chabad-Lubavitch community for a rare view of its traditions. Readers enter through the experience of 16-year-old Devorah Blum, whose chance encounter with Jaxon, an African-American young man her age, prompts her to question some of those traditions. Brooklyn's Eastern Parkway marks the boundary between their two communities, but they meet in the hospital that serves them both when the elevator breaks down.

Devorah would never, under normal circumstances, be with a boy her age unchaperoned, let alone a boy outside of her community. They talk about their families, music, and through their alternating first-person narratives, readers watch their mutual attraction develop.

LaMarche reveals the complexity of the mores behind the Chabad-Lubavitch way of life. Devorah jokes that yichud (the rule against two members of the opposite sex alone together) stems from the belief, "Plop two teenagers in a confined space, let them get to talking, and sooner or later the conversation will go to a sinful place..." Yet their attraction bears this out. These rules are rooted in life experience. 

But when does Devorah get to test these boundaries for herself and gain her own life experiences? She's smart and curious and willing to take responsibility for her actions. The author, without didacticism, explores the territory between faith and doubt, fate and free will. Can one's faith strengthen without doubt? Can one respect boundaries without testing them? These are all questions that teens innately raise for themselves, and LaMarche's romance about two 16-year-olds curious about and attracted to each other, gives teens an apparatus for examining these questions for themselves.

Friday, September 26, 2014

Road Trip

Raina Telgemeir (r.) at SLJ's Day of Dialog with
(l.-r.) Lois Ehlert, Chris Raschka and Peter Sís
Raina Telgemeier's new graphic novel Sisters is the road trip from Smile that "only gets a passing mention," the author told the audience at School Library Journal's Day of Dialog this past spring.

Telgemeier joked that only after publishing her first book, Smile, did she learn that "you're not supposed to write [an autobiography] unless you've done something." But her books--Sisters and Smile, and also Drama, aimed at slightly older readers--serve as excellent examples for kids who either think they have nothing to write about or are asked to write their autobiography for school. Telgemeier finds the humor and vulnerability in seemingly everyday experiences: a wish for a baby sister that (when finally fulfilled) can have its drawbacks, a parent losing his or her job, and a family vacation.

Her approach, a mix of visual and verbal storytelling, clearly indicates what's fantasy or flashback--or even wishful thinking (when her father loses his job and she would really like a hug). Telgemeier zeroes in on a road trip and also takes that experience as a way to magnify the family dynamics--as traveling and staying in confined spaces will--using it as the jumping off place for flashbacks that add complexity to present events, and fantasy sequences to reflect her characters' changing emotional states.

Her books also let readers know that the more details they can add to their writing, the more universal their experiences feel to readers of their own writing. Telgemeier says, "I tell very personal specific stories, thinking this doesn't happen to anyone else, and then the letters come." 

Friday, September 19, 2014


Hervé Tullet turned the world on its ear with Press Here. It was executed with such genius simplicity, that we all wondered why it had never been done before. With Mix It Up!, he holds to that simplicity and does for color what Press Here did for gravity.

Mo Willems (l.) and Herve Tullet in Bryant Park
Photo: Meg Parsont/Phaidon Press
The way Tullet plays with cause and effect is eye-opening for any child--from 1 to 92. And "play" is the key word. "Play is the work of childhood," wrote Jean Piaget in his Dreams, and Imitation in Childhood (W. W. Norton, 1962). Through play, a child learns how to resolve conflict, how to negotiate, when to lead and when to step back.

Tullet teaches, through play, what happens when you mix two colors (a new hue emerges), turn a book on its side (the paint runs down the page), and when the child places a hand on the page (you leave an impression). When Tullet and Mo Willems spoke together at New York's Books of Wonder in April 2013, they talked about the importance of play in their own work. "I want my books to be played, not to be read," said Willems, best known for his Pigeon picture books and his Elephant and Piggie beginning readers. 

Both author-artists said they draw in order to free themselves. Isn't that play? Neither author admitted to getting stuck ever, nor are they afraid of getting stuck. Tullet quoted a jazz musician who once said that improvisation feels like falling, but you never actually fall. Willems said that each evening, he and his family and any dinner guests on hand all gather around the dining room table where they stretch a giant piece of paper and draw. His dining room walls have a chalkboard surface so they can draw there, too. 

Tullet and Willems prove that the best work comes out of play. It's true for children; why shouldn't it be true for adults?

Friday, September 12, 2014


Mary Murphy

When we think of Mary Murphy's books, the word exuberance leaps to mind. Say Hello Like This!, her most recent book for toddlers, emits joy.

As with her I Kissed the Baby!, readers want to follow in line with her characters. She makes you want to kiss a baby and to say hello to every living creature. In Hello Like This!, the animals' joy and playfulness are infectious, from the "licky and loud" dogs ("bow-wow-wow-wow!") to the "silly and happy" hello of the straw-hatted donkeys ("Hee-haw! Hee-haw!"). Delicious sounds teach toddlers new words. They will soon be saying "flappy and clucky" to describe a chicken and "jumpy and croaky" when they spot a frog.

Half-page flaps--thick and durable enough for little hands to hold and turn again and again--chart the creatures' transitions from still and stationary to bursting with excitement and movement. Frogs sitting and gazing at each other from their respective lily pads, with a turn of the page, leap into the air while exclaiming, "croakety croak"! A pair of cats greet each other with a more refined paw-to-paw "purrrrrr... meow."

Murphy's artwork, with its bold outlines and colors, pull young eyes into the pages, searching for hidden details, such as a pair of birds or mice that observe the action. Children will soak up every detail and exclaim, "Again! Again!"