Thursday, May 15, 2014

Story within the Story

E. Lockhart

We Were Liars by E. Lockhart is right there with Code Name Verity by Elizabeth Wein and the film The Usual Suspects, in that you think you have your bearings, and then suddenly you don't. But the author's sure hand steering the story keeps your complete faith nonetheless. And her dexterity with language is a marvel.

Lockhart's novel stars three wealthy cousins: narrator Candace, Mirren and Johnny--and Johnny's socially conscious best friend, Gat. Together, they form the Liars of the title. Gat questions the things the cousins take for granted, and slowly chips away at their once unshakeable faith that their privilege can secure their happiness. This transition from inheriting values from one's parents to questioning them and then forging one's own values lies at the core of this coming-of-age novel.

We believe the conversation between these 15-year-olds. Candace falls in love with Gat, then has an accident and is left with no recollection of it. Lockhart weaves in Shakespeare plots and fairy tales, Cadence's constructions to puzzle out what occurred and why she has no memory of it: Granddad Sinclair as Lear; Beauty sees the glory in the Beast, but her father "sees a jungle animal." Did the overwhelming loss of her father's abandonment and her grandmother's death, together with her forbidden love for Gat lead to Cadence's accident and amnesia?

Adults will appreciate Lockhart's consummate storytelling, but teens will relate to the unfamiliar and unwanted role of parenting one's parent, and trying to become who they truly are, which is not necessarily who the adults want them to be.

Friday, May 9, 2014

Scientific Adventures

"Science Bob" Plugfelder

"Science Bob" Pflugfelder and Steve Hockensmith collaborated in a unique way for Nick and Tesla's Robot Army Rampage, illustrated by Scott Garrett. The series centers on two 11-year-old science-minded twins who are staying with their scientist uncle while their parents are out of the country on a work assignment. Pflugfelder, an elementary school science teacher, designs science experiments key to solving the mystery in each book. Hockensmith plots and writes the mystery, integrating the science experiments.

For Nick and Tesla's Robot Army Rampage, their second book together, Hockensmith had a plot he liked but was struggling to incorporate the robot army without taking Nick and Tesla out of their uncle's neighborhood. According to Hockensmith, Plugfelder suggested a solution that would keep them in the neighborhood, and also stick with the reality they'd established in the first book, Nick and Tesla's High-Voltage Danger Lab. "I think that's what defines a series when you're getting it started," Plugfelder said. "We wanted readers to buy into the reality but at the same time to take them on adventures they couldn’t maybe go on on their own."

And the best part is that the twins are normal kids, just like readers. "Nick and Tesla are not geniuses; they're problem-solving kids," Pflugfelder said. "A situation comes up and they say, can we build something that can help us with that? They're resourceful kids with fourth-grade knowledge." For the five science projects in this book (and also for the previous book), the materials are either household items or available at a place like Radio Shack.
Steve Hockensmith

The Hardy Boys series and Jean Craighead George's My Side of the Mountain were Pflugfelder's favorite books as a child, he said last year on a middle-grade book panel at Book Expo America. He liked the idea of contributing to a series that had both mystery and science elements. "I'm one of those kids who would have flipped through and seen the instructions for the projects in this book and picked it up," he said. "I'm the kid who read the Hardy Boys and then would go and make the projects." Hockensmith, on the other hand, said, "I would have been the kind of kid who'd read the story and enjoy it, and my eyes would glaze over when the projects came along." Together, Hockensmith and Plugfelder make ideal collaborators for these scientific adventures.

Thursday, May 1, 2014

Living and Creating

Interior from The Scraps Book
One of the things children will appreciate most about Lois Ehlert's The Scraps Book: Notes from a Colorful Life is the way she draws a correlation between her life and her art. Her ideas come from everywhere (asparagus hunting, a cat, a change of seasons) and her materials can be anything (paints, crayons, seeds, crabapples, fabric swatches). 

Even Ehlert's picture of the work table her father set up for her in her childhood home shares a striking resemblance to the workspace she uses today. Children will see that their own photos, paintings, and fabric scraps can contribute to a collage about family, home and pets. 

Study for Chicka Chicka Boom Boom
The author-artist also shows children precisely which book included which collage or composition, leading to an organic scavenger hunt of sorts, to check out her many picture books and to witness the varied approaches and styles she's used to illustrate her stories (and the stories of others, such as Chicka Chicka Boom Boom). 

Her collections of model fish and words and art supplies reveal a passion for what she does and may well inspire children to build their own. Lois Ehlert shows that a childhood passion can become a lifelong joy.

Friday, April 25, 2014

Connecting to Nature

Interior from You Are My Baby: Garden

When spring arrives, nature's creatures come out. You Are My Baby: Garden by Lorena Siminovich (author and artist of last year's You Are My Baby: Farm) makes an ideal guide for toddlers eager to identify the animals, insects, and arachnids they encounter in the world around them. Naming them forges a connection between a child and the other beings in his or her world.

The thick corrugated pages of this intelligently designed book allow children to leaf through the larger pages featuring the adults or the smaller ones starring their babies nestled in this book-within-a-book, as their matching game expands to include the great outdoors. They begin to connect the creature they see in a tree, a bush, or on a path in the woods to the animals, insects and arachnids they've observed in these pages.

It's a terrific companion for a stroller ride or a drive in the country, to prompt toddlers--even before they can form the words--to point to the page that matches what they see on a branch or a grassy patch.

Friday, April 11, 2014

Second Chances

John Corey Whaley

John Corey Whaley, the author of Noggin, says the outlandish premise of his latest novel--a transplantation of a full cranial structure onto a donor body--began with Kurt Vonnegut.

"What is it about him that I'm able to connect with so much?" Whaley said of Kurt Vonnegut when we got to interview him recently. "He's able to take absurd ideas and scenarios, and you can be laughing hysterically on one page, and he'll bring you to tears on the next."

The idea of scientific advances allowing doctors to cryogenically freeze someone's head and surgically affix it to a healthy donor's body may be something akin to what Vonnegut might create, but, like Vonnegut, Whaley grounds the story in authentic emotional experience. Travis essentially falls asleep and wakes up five years later. But the people he cares about have lived on, gathering life experiences. "That was the most realistic way I could re-create the way people feel their friends and family are growing up a little faster than they are," Whaley said. "A lot of life is people moving faster than we are, and us moving faster than others."

Travis is 16 when he goes to sleep, and his friends are 21 when he wakes up. He has a second chance at life, but does he want it, if he can't be with Cate, who is now engaged to someone else, and his best friend, Kyle, who has retreated back into a life of denial? Whaley gets to the core of growing up through his exploration of Travis's dilemma. Travis wants to win Cate back. But in those five years, Cate had fully grieved and accepted the loss of Travis in her life. Travis and Kyle are able to restore their friendship, but Travis's desire to recreate the romantic relationship he'd had with Cate remains problematic.

Travis must ask himself, how do I go on from here, with this new reality? Is it worth it to get a second chance if I cannot have the people I want in my life the way they were? Travis quickly learns that his return does not come with an automatic reset button. It means working on these relationships--with his parents, with Cate, with Kyle, and with his new friend Hatton. How do you stay true to yourself yet still honor that relationship, either as it is now, or what it once meant to you? Is it possible to do? How much compromise is possible without losing your self?

At a pivotal time, when teens are becoming adults and trying on new personas and/or deepening their beliefs, their relationships are shifting. Whaley captures all of these nuances with humor, compassion and unforgettable characters.

Thursday, April 3, 2014

The New Orleans Legacy

Rodman Philbrick

Zane and the Hurricane by Rodman Philbrick takes readers with narrator Zane Dupree on a visit to New Orleans, just before Hurricane Katrina hits. Because Zane is new to the city, we learn through his conversations with his grandmother and through Zane's own observations the deep and complex history of this culture-rich town.

He has barely arrived when the mayor instructs everyone to evacuate in preparation for the storm. Zane gets separated from his grandmother when his beloved dog escapes from an open window in her preacher's van, and he chases after his pet--all the way back to her house on the Ninth Ward. This is most of all an adventure story. But as Zane learns more about his rescuers, Malvina Rawlins and her guardian, Truedell "Tru" Manning, a renowned jazz musician, readers also learn more about the culture of New Orleans, its traditions, its racial tensions, its economic divide. Armed security teams guard the homes of the rich, which are on higher ground. Rescue efforts take days and days. Malvina and Tru pass the time by telling Zane stories.

Philbrick describes the situation in a way that 9- and 10-year-olds can understand, yet with enough suspense and details to hold the attention of teen readers, too. Another book for 8- to 12-year-olds about life before and after Hurricane Katrina is Ninth Ward by Jewell Parker Rhodes. And for older readers, the books that delve into the nuances and rich past of New Orleans are the historical novels Richard Peck's The River Between Us, and Out of the Easy by Ruta Sepetys. In many ways, the city of New Orleans reveals in microcosm the tensions that have haunted and continue to plague the United States, as well as the many gifts of food, music, language, celebration and culture that one city's residents have given to the nation.

Thursday, March 27, 2014

The Specifics Reveal the Universal


King for a Day by Rukhsana Khan, illustrated by Christiane Krömer, offers children a window into Pakistani culture and craftsmanship through a story of one family's experience of Basant.

Interior image from King for a Day
Basant began as a Hindu celebration that "marked... the beginning of warm weather," according to the author. Its focus on vibrant kites in sunny skies could easily bring 4th of July celebrations to mind. The author doesn't explain the rules of the kite-flying contest at the center of Basant; we understand them through narrator Malik's careful guidance of his kite, Falcon, and its weaving in and out of the other kites' strings in order to bring them down. Readers watch Malik make the kite, and quickly realize that this is not his first time. He's an experienced kitemaker and navigator, and his perch on his building's rooftop gives him an excellent vantage point.

Christiane Krömer portrays Malik in a wheelchair, though Rukhsana Khan does not mention this in the text, and readers see that Malik is master of his kite. His sister helps launch it, and his brother collects the kites that Malik brings down, but Malik is the craftsman and strategist of Falcon's path.

The characters' dress and the architecture may appear a bit exotic to children, but the kite-flying sport quickly creates a point of identification with Malik and his siblings. Into the contest, early on, arrives a bully who lives nearby and launches his giant kite (which Malik nicknames Goliath) from street level. The bully has back-up kites galore and eagerly attempts to amass the prize kites of others. This tug-of-war between Malik and the bully lies at the core of the book, and it's a situation every child will recognize. A satisfying ending brings justice for all.

At the end of the day, we see the hero savor his well-earned victory, alone, as sunlight departs and the stars come out. Krömer's final image captures the peace that hard work and a clear conscience brings.