Showing posts with label Katherine Paterson. Show all posts
Showing posts with label Katherine Paterson. Show all posts

Friday, July 22, 2011

Unlikely Heroes

Very few things please me as a reader more than an unlikely hero who can win me over.

There’s nothing much to like about Saba, the narrator of Blood Red Road by Moira Young. Not at first. She’s possessive of her twin brother, Lugh. She’s mean to her nine-year-old sister, Emmi. She blames Emmi for the death of their mother and for the light that’s gone out in their father’s eyes. And she doesn’t hide that from Emmi either. You wouldn’t want to have to fight Saba for the last loaf of bread. She’d probably kill you for it.

Yet the fact that she’s so direct, scrappy and winner-take-all makes her a survivor. She can’t read or write, but she remains teachable, as we discover when she meets Mercy, her mother’s friend. Mercy shows her a different point of view, and Saba considers it. She’s not close-minded. And her reluctance to trust serves her well as she moves into the larger world of this post-apocalyptic novel where people are mostly takers.

Saba got me thinking about other characters who’ve won me over, or at least, won my sympathies over the course of their stories. Katherine Paterson’s Great Gilly Hopkins is the one that leaps to mind. But books for teens teem with them, too--the best friends and narrators of The Pigman by Paul Zindel; 16-year-old Steve Harmon, the Monster of Walter Dean Myers’s title; the misfit stars of Stoner & Spaz by Ron Koertge; Brent Bishop, protagonist of Paul Fleischman’s Whirligig; and, of course, Katniss from Suzanne Collins’s The Hunger Games. You wouldn’t want to fight her for the last loaf of bread either.

Most of these young people have to experience something dire in order to develop a feeling for others—and, sometimes, compassion for themselves. That foray into testing adulthood, trying out ideas that are contrary to the ones that have been handed down by parents, teachers, and other adult guides, is essential to growing up. Some enter that wider world by choice, others by necessity—like Saba and Katniss. These books allow teens to try on other personas without having to live through their experiences.

Who are some of your favorite unlikely heroes? Which unlikable protagonists wound up winning you over?

Friday, December 17, 2010

Doubt and Faith

There are so few Christmas-themed books aimed at teens, and I’m hard pressed to think of any with the staying power of Katherine Paterson’s Angels & Other Strangers. The nine short stories here focus on young people and adults experiencing the kinds of crises of faith that often creep up during adolescence—and a single event that brings about a change in perspective.

Over the years, many of the teens and adults I’ve spoken with have described going through their catechism, confirmation, bar mitzvah or bat mitzvah—a rite of passage at the center of their communities of faith designed to welcome them in—and finding themselves questioning that very community. It’s such a common experience of adolescence, yet we rarely talk about it amongst ourselves or with teens. We become complicit in a silent agreement that in “polite society” we don’t discuss religion or politics. But books like Katherine Paterson’s can help young people feel less isolated if they’re experiencing a sense of alienation from their religion, and to know that doubt is part of developing a lasting faith.

Many of our country’s citizens came to our shores to escape religious persecution. Not just the Puritan pilgrims, but throughout history—Jewish families seeking refuge during World War II, Muslim refugees from Kosovo, the subject of Paterson’s The Day of the Pelican. Growing up in a family that practices religion is not always easy. Communities are made up of individuals, and a teenager who questions his or her religion does not always feel there are places to go to talk about those questions. And the wide range of religions and cultures in America also make us feel that we’re in a largely secular society, making teens feel they must be believers in secret.

Books like Katherine Paterson’s let teens know they’re not alone, that there are many stages within a religious practice, and that it’s also normal to doubt. Some of the characters in these nine stories are in a crisis of faith, like Carol, the mother in “Tidings of Joy.” Others are in a period of doubt, like Carl, the father in “Star of Night.” Or they have only ever known doubt and fear, like Genevieve, the foster child in “Maggie’s Gift.” But in each story, one honest act of compassion or generosity—often from a child—leads the questioning adult or child to a place of hope, and perhaps on the road to a more lasting feeling of faith. For those times when we feel alone and faithless, these characters make good companions.

Friday, November 27, 2009

The Immigrant Story

The Lleshi family’s story in Katherine Paterson’s novel The Day of the Pelican seems especially appropriate at this Thanksgiving time, when so many of us think about our own families coming to this country as immigrants. Many families, like the Lleshis, could not speak the language or understand the subtleties of the culture when they first arrived here. What is it like for Baba, the head of his household, to have to rely on his children to translate for him, not only the language but also a gesture or custom? What is it like to watch your children set aside many of the things you’ve taught them in favor of new friends, new fads, new values?

As much as he wants his children to excel in their new surroundings, Baba also wants them to honor their family’s traditions, and these two desires are not always an easy fit. Assimilation often trumps tradition. In Pelican, Katherine Paterson explores the complexities of these competing influences. After the events of 9/11, Meli and Mehmet’s teammates lash out at them—verbally in Meli’s case, and physically in Mehmet’s case—because they are Muslim. Neither of them wishes to return to school, but Baba tells them they must. The teens’ coaches pay a call at the Lleshi home, apologize to Mr. and Mrs. Lleshi and tell them that they will remove the offending students from the team. But Baba tells the coaches that such a step would seed more hatred toward Meli and Mehmet. “My children are strong,” he says. “They have endured many hard things in their short lives. They can also endure this.” In her interview (below), Katherine Paterson discusses the importance of the scene between Baba and the coaches, and the respect these coaches gain for Mr. Lleshi.

It is the immigrant story. A family arrives in America to gain a better life for their children. Often the children adapt more readily to the language and ways of their new life. The challenge to the older generation is to keep the family together in the face of these other forces of influence, and the challenge to the new generation is to remember what is important even as they acquire knowledge and skills that will serve them well in their new homeland. The Lleshi family’s story reminds us of the great sacrifice all immigrant families make when they courageously arrive at our borders and on our shores.

Monday, September 7, 2009

Writing with a “Manageable, Reachable Goal”

Kate DiCamillo has just published her fifth novel, The Magician’s Elephant. She writes two pages a day. She calls that a “manageable, reachable goal” (see interview below). I think my students would have thought that was a manageable, reachable goal, too. I wish I’d known about that when I was teaching.

As your child heads back to school and begins to get assigned projects, that is a good piece of advice to bear in mind. Whether they are working on a painting, a book report, or an oral presentation they must give in front of the class, they can break down their projects into manageable, reachable goals. They may begin with a sketch, notes taken and page numbers jotted down while reading, and recording themselves on an audio cassette or in front of a video camera.

I have also heard Katherine Paterson and Linda Sue Park say that they write two pages a day. In fact, at the Texas Book Festival two years ago, I heard a child ask Linda Sue Park, “When you write, how do you know whether it will be a novel or a book of poetry?” And Linda Sue Park answered, “I do not write novels. I write two pages a day.” If she thought she was writing a novel, she said, she’d be too overwhelmed to finish it.

Linda Sue Park, Katherine Paterson, and Kate DiCamillo have each won the Newbery Medal. They have each written novels. Two pages a day.