Showing posts with label Interview Sessions. Show all posts
Showing posts with label Interview Sessions. Show all posts

Friday, November 17, 2017

Interview Session with Nicholas Gannon: The Doldrums and the Helmsley Curse

Two years ago, I read The Doldrums, a book that made me think of all the classic friendship stories that I read as a child. Now, with the second installment in the series, I interview Nicholas Gannon, author and illustrator of The Doldrums and the Helmsley Curse, available for purchase now.

Welcome to Twenty by Jenny, Nicholas!

Where are you from, and where do you currently live now?

I spent most of my childhood wandering the frozen tundra of Minnesota where the temperature once reached -63 degrees. I now live in Brooklyn where temperatures are more hospitable.

When did you start writing and illustrating books for children? What were you doing before that?

The Doldrums was my first book. I began creating the world in 2008. During that time, I worked briefly at an animation studio, was fired and moved on to a construction gig, building homes in upstate New York, and then finally, was gainfully employed as a production assistant for a law publisher in Manhattan. It’s amazing what you can do with an art degree.

In your own words, tell me a little bit about what The Doldrums and the Helmsley Curse is about, and what new characters we might be introduced to.

At its heart, The Doldrums is a story about friendship and family within the context of a peculiar world of explorers. Archer's grandparents, the renowned explorers who'd mysteriously vanished atop an iceberg in book one, are finally home, but there are many secrets to uncover and questions to answer.  


Book two has a slew of new characters. Most notably: Diptikana Misra, who you might know from the first book as ‘Girl Vanishes Down Wishing Well;’ Benjamin Birthwhistle, a budding young botanist whose father took over as president of the Society when Archer’s grandfather vanished (which doesn’t sound sketchy at all); and Darby, a Society Greenhorn, which is just a fancy title for a student of the Society and a future explorer.

What is the Society based on, and if you belonged to it, what do you think would be your field of exploration?   

The Society is based loosely on the Explorer's Club in Manhattan. It’s an active club (members include astronauts) in a fantastically old building filled with artifacts from old expeditions and taxidermied animals. During my first visit to the Explorer's Club, I saw an old lady stuffing letters into envelopes. I thought nothing of her at the time, but a few minutes later, my guide informed me that she was the first woman to cross the Sahara Dessert alone on camel back. She actually had two camels but was starving and had to eat one. It's an incredible place.

If I were a Society member, I would be in the jungles division. Rainforests are nothing if not magical.

What was your favorite scene to write in The Doldrums and the Helmsley Curse?

The most enjoyable scene to write was the uproarious holiday party at DuttonLick's sweetshop. The store is overflowing with sugar high students falling from balconies, dancing to music, and wreaking havoc on Mr. DuttonLick’s house of confection. It's a Yuletide blast. And that's to say nothing of the fact that some of the chocolates students are gobbling up have been secretly contaminated with Doxical Powder—a substance from the Society that will turn you into your opposite for a short time.

What illustration was the most fun to create in The Doldrums and the Helmsley Curse?

The most enjoyable illustration to create was the opening scene, where Oliver and Adélaïde are walking down Howling Bloom Street to mail a letter to Archer. It took a good deal of time make and while I wish the windows had a bit more detail in them, it's one of my favorite images in the book.

Howling Bloom Street

What is the inspiration behind the city of Rosewood?

During the early 1900’s, my great-great-grandfather (an Irishman) worked on a cargo ship that brought things from Ireland to New York. During one trip, my great-great-grandfather decided he wasn’t going to return to Ireland so he jumped overboard, swam across New York Harbor, and stood up on the shores of Brooklyn where he made his home and found work digging the NYC Subway system until he died of tuberculosis at the age of forty. I have the suitcase my great-great-grandfather arrived with and I now live in Brooklyn and the City of Rosewood was based on the early Irish immigrant community living here. Not overtly, mind you, but that was the origin.

Ok, tough question: chocolate snurple or twisted caramel?

I didn’t realize this was going to be a hit piece… Alright, well, to be safe, I’ll agree with Adélaïde. Snurples might sound too much like a disease so it’s a twisted caramel for me.

What are you currently reading?

Wolf Wilder by Katherine Rundell and my is she a talent.

What were some of your favorite books as a child? Any influential authors, illustrators, you name them.

The first book I ever read cover to cover was Matilda by Roald Dahl. More importantly, it was the first book that I ever loved. Other childhood favorites include The Chronicle of Narnia by Lewis (specifically The Horse and His Boy and The Magician’s Nephew), and everything by E.B. White.

What do you love about writing and illustrating books for children?

I’ve always been fascinated with the idea of creating a world and filling it with characters. I imagine it’s not dissimilar for hobbyists who build those massive mini train worlds. You can do this with any kind of book of course, but I think it lends itself especially to works for children.

What is next? Any future projects for us to look forward to?

I’m currently working on an illustrated project for two other authors. And, the continuation of the Doldrums.



Thanks very much for stopping by Twenty by Jenny, Nicholas!

And for those of you interested in entering a GIVEAWAY of BOTH Doldrums Books, here are the rules:

* You must live in the U.S., Canada, or the U.K.
* The giveaway contest will end November 30, 2017 at 11:59 p.m. E.T.
* You must follow @doldrumspress and @20xjennybooks on Instagram.
* Tag a friend in the comments of this photo.
* There will be THREE giveaway winners! Three sets of Doldrums Books! 

Good luck!  


Friday, January 27, 2017

Interview Session with Angie Thomas, author of The Hate U Give

In August of 2015, I met Angie when she had just signed with her agent. She was excited, hopeful, but also nervous. She didn't know how a book influenced by Black Lives Matter would work for a YA story. Over a year later, The Hate U Give is going to be a movie (starring Amandla Stenberg as Starr), and Angie (and T.H.U.G.) are getting ready to take the world by storm. Angie was kind enough to answer some questions before embarking on her tour! Here is a review of The Hate U Give.




Where are you from? Tell me about the journey that led you to where you are now.

I was born, raised, and still reside in Jackson, Mississippi. I’ve told stories for as long as I can remember—I used to write Mickey Mouse fanfiction when I was six. But I never thought that I could be an author until I was in college, studying Creative Writing. I actually wrote the short story that became The Hate U Give while I was in my senior year. It took me a few years after college though to decide to make it a novel. Even after I wrote it, I was afraid that the topic may not be appropriate for YA. So when a literary agency held a question and answer session on Twitter, I asked if the topic was appropriate. An agent not only responded and said yes, he asked to see my manuscript. A few months later, I signed with him, and a few months after that we were in a 13-publishing house auction.


When did you know you needed to write this book?

Like I said, I first wrote it as a short story during my senior year of college, back in 2010/2011 after the shooting of Oscar Grant in Oakland, California. Like my main character, Starr, I was living in two different worlds—my neighborhood that most people called “the hood” and my upper class, mostly-white college. By being in these two different worlds, I heard two very different takes on the case. At my school, he was seen as a thug who deserved what he got, but in my community he was one our own. My anger, fear, and frustration led me to write the story. I put it aside after graduation, but as more of these cases continued to happen, I found myself angry, afraid, and frustrated again. So I did the only thing I knew how to do – I wrote.

Black Lives Matter is…

An organization and a movement. I don’t think a lot of people realize there’s a difference between the two. (And for the record, I’m not affiliated with the organization). It’s also a statement. It is not saying that only black lives matter or that black lives matter more. All lives should matter, indeed, but we have a systemic problem in this country in which black lives don’t matter enough. Black lives matter, too.

Tell us a little bit about Starr. Why did you use her voice to tell the story? She starts out so unsure of herself, and it was amazing watching her grow and come into her own.

I know plenty of Starrs in my neighborhood; I was a bit of a Starr myself growing up. She’s in two different worlds where she has to be two different people, and she’s still trying to figure out which one is truly her. I think a lot of people can relate to that. Also, there is this stereotype that black women, especially young black women, are loud and harsh, and I wanted to crush that stereotype with this character.


There is a moment where Starr is in the car with Chris, and she says to him, “I don’t need you to agree...Just try to understand how I feel. Please?” And I felt like this was a powerful line that white people need to hear from black people.

That’s one of my favorite lines, actually J. I think if more people understood why black people are so upset when another unarmed black person is killed, it would help bring about change. These cases always become political, but for so many of us they are personal. They need to become personal for all of us.


Another moment that I felt was really powerful is between Ms. Ofrah (Starr’s attorney) and Starr.
“Who said talking isn’t doing something? [Ms. Ofrah] says. “It’s more productive than silence. Remember what I told you about your voice?’
‘You said it’s my biggest weapon.’
‘And I mean that.’”

That’s another one of my favorites J (Is it ok for an author to like something they wrote? Haha.) I hope that more people realize just how powerful their voices are, especially in our current political climate. Fighting is not always about violence; sometimes it’s about speaking out. Our voices can change things.


This story is fiction, and yet, it is a real look into casual racism, blatant racism, and both sides of the police equation (Starr’s uncle is also a policeman)—and this is just the tip of the iceberg. In many ways, Starr’s story is not fiction. It is the story of every black person who has been a witness to injustice, time and time again.
What is your hope for The Hate U Give?

My ultimate hope is that it will help people realize that empathy is stronger than sympathy.

Author Angie Thomas
photo by Anissa Hidouk


Thanks for stopping by, Angie!

Mark your calendars for February 28th and pre-order a signed (and personalized!) copy of The Hate U Give from Lemuria Books.