When Green Becomes Tomatoes by Julie Fogliano, illustrated by Julie Morstad

April is National Poetry Month, and Julie Fogliano’s When Green Becomes Tomatoes: Poems for All Seasons, with pictures by Julie Morstad, is a book of poems that makes you stop and read each one twice. They are joyful, childlike, and reflect the agonizing wait for sunshine to appear after a long winter.

Each poem is marked with a date. For instance, the poem for April 3 is an accurate depiction of a gray day after heavy rain.

april 3

today

the sky was too busy sulking to rain

and the sun was exhausted from trying

and everyone

it seemed

had decided

to wear their sadness

on the outside

and even the birds

and all their singing

sounded brokenhearted

inside of all that gray.

When Green Becomes Tomatoes starts and ends with the same poem on March 20 in the collection of poems categorized as “Spring.” Spring showers and daffodils gives way to “Summer,” a collection of poems focused on swimming in cool water, fireflies, and tomatoes on the vine. “Fall” is filled with leaves falling, pumpkins, and the first hints of winter. "Winter" arrives in a blanket of white with cozy poems, only to turn into spring again.

Morstad’s illustrations are so gorgeous that they would not look out of place framed on a wall. In a style that is similar to Gyo Fujikawa and Edward Gorey, Morstad’s illustrations are poetry themselves and bring Fogliano’s poems and the seasons to life.

Enjoy National Poetry Month by selecting a poem to read from When Green Becomes Tomatoes, where there is a poem for every season.

This review originally appeared in The Clarion Ledger.

Thought #156

Bear Has a Story to Tell by Philip C. Stead, illustrated by Erin E. Stead, is a story of patience. It is also a story of paying it forward. And it is a story of creativity and friendship. All of this is true of the picture book itself. But it is also true of the creative process behind the picture book. Here’s why.

“The more I tried to write, the less I wrote,” Julie Fogliano confessed during her acceptance speech at the 2012 Boston Globe-Horn Book Awards last Friday night, September 28, 2012. It was the kickoff to a two-day celebration of speeches and a colloquium, held at Simmons College in Boston. Fogliano and Erin E. Stead received an honor citation in the Picture Book category for their book And Then It’s Spring.

From And Then It's Spring

Fogliano had been trying to write since 1988. The breakthrough came with a request from her friend George O’Connor, fellow bookseller alum from New York City’s Books of Wonder, and an accomplished writer and artist in his own right (The Olympians series). O’Connor asked Fogliano if, for his birthday, she would email him one thought per day. Most thoughts had to do with legos on the kitchen floor and pancakes for breakfast, according to Fogliano. But Thought #156, she says, “about waiting and the color brown,” was different. She liked it enough to also send it to her friend Erin Stead, another Books of Wonder alum.

Erin Stead, whose husband, Philip Stead, had secretly shown one of Erin’s drawings to his editor, Neal Porter (which resulted in their first collaboration, A Sick Day for Amos McGee), now paid the favor forward. Erin sent Thought #156 to Porter and said she would like to illustrate it. And the seeds of And Then It’s Spring (Neal Porter/Roaring Brook/Macmillan), illustrated by Erin E. Stead, were planted.

But what does that have to do with Bear Has a Story to Tell, you might ask. I shall tell you. Philip and Erin share a studio. “Philip did much of the designing” of And Then It’s Spring, Erin Stead says. When Philip saw this drawing of the bears for Fogliano’s book (above), he scurried off to write Erin a bear book. Bear Has a Story to Tell.

Voilà!

Spring is my favorite season. Having grown up in Michigan, we waited patiently, very patiently, for that first golden spray of forsythia to tell us winter was over. And even then we might get another blizzard, crushing those fragile first blossoms. Erin Stead, who illustrated Julie Fogliano’s And Then It’s Spring also grew up in Michigan. Maybe that’s why her visual interpretation of the hero's emotions in Fogliano’s poetic text feels so right and true.

Spring is the season akin to the starlet who’s an “overnight sensation.” No one knows of the years of cold call auditions and being turned away and lining up again. Few but the starlet remember the hard slogging and patient persistence once success arrives. When spring finally bursts into full bloom, we feel we’ve earned it, after all those dark days of endless trudging in high boots through cold snow.

Yet because spring has always come, we trust that it will come again. Like the young gardener in Fogliano's story, we start to see glimmers of “a hopeful, very possible sort of brown” in the same brown ground we’ve stared at for many bleak months. We, too, see a... “is that a little green?/ no, it’s just brown sort of brown,” and then, a week later with still no change, we think the worst. Birds have eaten the seeds, bears have stomped on the seeds. This is my favorite line of the book: “[B]ears can’t read signs/ that say things like/ ‘please do not stomp here--/there are seeds/ and they are trying.' ”

Aren’t we all trying? Just trying to get through these last brown days, however long the brown stays, until the green pokes through. “Please do not stomp here, there are seeds and they are trying!” It’s so much more eloquent than “Stay off the grass.” And while we wait for the seeds to succeed, we can put an old tire to use as a swing or refashion a milk carton as a bird feeder.

And then suddenly a riot of color runs rampant, and cherry blossom trees escort us on our walks up the Hudson River or past the reflecting pool in our nation’s capitol, or in the town square in cities all across America. And we have an overnight sensation: Spring.