Ollie's Odyssey by William Joyce

“Favorite. That was a very big word.

In the realm of toys, being favorited was a special distinction. It was as yum as it got. There can only be one favorite for every child, and Ollie was Billy’s.”

Ollie is a small and unassuming handmade toy. A stuffed rabbit with a tinkling bell for a heart and extra long ears, Ollie is a special toy, made by Billy’s mother when Billy was born with a hole in his heart. “Ollie’s head was usually pressed against Billy’s chest when he slept, so Ollie listened intently to his heartbeat. ‘I don’t hear a hole,’ Ollie thought, ‘but then, I don’t know what kind of sound a hole would make.’” Ollie is bestowed the highest honor in the Toy World: being a “favorite” to Billy.

As Billy and Ollie grow up together, they go on “A-ventures.” Sometimes, an “A-venture” is as simple as a trip to the grocery story. When it is just the two of them, Billy and Ollie go on especially “huge A-ventures [which] could be a trip to the moon via a rocket ship (really a refrigerator box), which sat in the backyard.” When an evil clown king, a forgotten toy named Zozo (who really despises favorite toys) has his henchmen toynap Ollie, Billy embarks on an epic “A-venture” to find his favorite toy. Ollie’s Odyssey is about the biggest “A-venture” of Ollie and Billy’s life, and it lasts the span of ten blocks.

William Joyce is the mastermind behind such books (and movies!) as The Guardians, A Day With Wilbur Robinson (which is Meet the Robinsons in movie form), and The Fantastic Flying Books of Mr. Morris Lessmore, which in addition to being an amazing book, is an Academy-Award winning film. His company, Moonbot Studios, produces movies and books and is located in Shreveport, Louisiana.

Ollie’s Odyssey is for those who enjoy Toy Story with the magic and creativity that is only found in Joyce’s work and will be a great addition to any library. Joyce knows the secret to childhood, how a child’s brain works, what constitutes “magic” in a child’s eyes, and it is evident in his mastery of illustration and writing.

Sometimes, the greatest adventures we take are the ones in our imaginations and the love that we share.

To purchase a signed copy by William Joyce, visit Lemuria Books!

This review originally appeared in The Clarion Ledger.

Transcendent Storytelling

William Joyce

When I first heard the term “transmedia storytelling” at Digital Book World last year, I thought, “what?” It scared me. Writers were talking about stories that began as games and grew into films and books. I worried that books would be sidelined. Since then, I’ve come to believe that there are many ways to experience story, and a great story transcends its medium. William Joyce’s Morris Lessmore is the ideal character to travel through these porous boundaries.

The Fantastic Flying Books of Mr. Morris Lessmore by William Joyce won an Academy Award, but it began as a book. It makes perfect sense that a book about a lifelong love affair with books would begin as a book. And Morris Lessmore is based on a real man, William Morris, a lover of books if ever there was one. (Bill Morris hired me right out of college, so I got to witness this firsthand.)

But Bill Joyce told me in an interview that after he’d written the book, and before he’d completed the artwork, his retina detached, and he couldn’t see well enough to finish painting the book. At around that same time, he founded Moonbot studios, and they decided to make a short film based on Morris’s story.

Miniatures from the Movie

So Morris Lessmore’s story is a book and a film and an app. Each medium has its strengths and offers a different experience of the story. In the film, one of my favorite scenes occurs after Humpty Dumpty plays the piano, and Morris does a Gene Kelly–style dance with the many-hued books. In the app, a deep-voiced narrator reads the book beneath the animated pages, and you get to play the piano with Humpty by pressing keys that correspond to the notes. (There’s also a separate $.99 Imag-n-o-tron! app that “augments” the book. A video shows you how to lay your iPad or phone over the book to animate the pages; books fly, Morris dives into a book. It takes a bit of practice, but if you hold the device very still, the pages spring to life. My favorite is the feeling of “entering” the library. The walls seem to extend to the sky.)

But in the book, there’s a beautiful scene in which the books that Morris has cared for surround him, when he's "stooped and crinkly," and read themselves to him. It’s a scene that only appears in the book, and of all the means of experiencing his story, it’s the scene that most moves me.

Thanks to Bill Joyce, I am awakened to the possibilities of transmedia storytelling. Perhaps it should be called “transcendent storytelling.” A story that transcends its medium allows us as readers to transcend the here and now and to experience the story from a number of entry points. However we meet Morris and in whatever way we accompany him on his journey to his calling and his passion for books, each experience of his story deepens our connection to Morris Lessmore and his Fantastic Flying Books.